George Washington McLintock, 'GW' para amigos e inimigos, é um barão de gado e o homem mais rico do território. Ele aguarda ansiosamente o retorno de sua filha, Becky, que esteve na escola nos últimos dois anos. Ele também está surpreso ao ver que sua esposa Katherine também retornou. Ela o deixara alguns anos antes sem realmente explicar o que ele fez, mas ela faz questão de dizer que ela voltou para levar sua filha de volta ao Capitólio do Estado com ela. O GW é altamente respeitado por todos, incluindo os agricultores que estão entrando nos territórios com concessões de terra gratuitas e os índios que estão sob ameaça de serem transferidos para outra reserva. Entre sua esposa, sua filha obstinada, e os funcionários do governo, o Agente das Terras picareta e o Agente dos Índios ladrão, GW tenta manter a paz e fazer o que é melhor para todos.
Why does it have to be you that stirs me?
McLintock! is directed by Andrew V. McLaglen and written by James Edward Grant. It stars John Wayne, Maureen O'Hara, Yvonne De Carlo, Patrick Wayne and Stefanie Powers. Music is by Frank De Vol and cinematography by William H. Clothier. It's a Panavision/Technicolor production and locations used for the shoot were Nogales, Old Tucson and San Rafael Ranch State Park, Arizona, USA. A loose reworking of William Shakespeare's The Taming of the Shrew, plot finds Duke Wayne as cattle baron George Washington McLintock, whose estranged wife Katherine (O'Hara) returns with daughter Becky (Powers) to the family town after a two year absence. Having left George originally on suspicion of him committing adultery, she now wants a divorce and with it full custody of Becky. George isn't keen on the idea and Katherine's arrival in town also signals the arrival of chaos.
Produced out of John Wayne's own Batjac Productions company, McLintock! became one of Wayne's most successful and popular movies of the 60's. Played for laughs, film sees Wayne surrounded by family and friends and this shines thru in the final product. It looks, and was, a fun production, its values may be dated a great deal now, but it's easy to see why the paying public warmed to it. Wayne is in his element as the tough, hard drinking and no nonsense title character, and those playing off of him are in tune with what's needed to make the comedy work. The action is well staged by McLaglen, especially a free for all punch up at a mud pit, and Clothier's photography beautifully brings the Arizona locales out from the screen. A touch too long at just over two hours, it still manages to last the course to deliver the goods for the western/comedy seeker. 7/10
